Experience a live visual music sensation on Friday, April 22nd courtesy of The USC School of Cinematic Arts and Visions and Voices: The USC Arts & Humanities Initiative for FREE! Rhythms+Visions-Expanded+Live! is an exciting outdoor event with performances spanning animation, experimental documentary, social commentary and abstract visual music. UK audiovisual collective D-Fuse and Los Angeles artist Scott Pagano will perform live. Additionally, giant 3-D stereoscopic animations will be projected onto the building facade, interacting with the audience and the architecture. 3-D glasses will be provided.
Rhythms+Visions-Expanded+Live! is this Friday, April 22nd from 7:30-11pm at the USC School of Cinematic Arts Complex. Admission is Free. A lively panel discussion will follow the performances. Facebook event page here.
Alongside the headlines of the horrific devastation of the Haitian earthquake are the headlines about how “digital fundraising” is providing a rapid flow of dollars, showing the importance of technology in providing new avenues for relief efforts.
For anyone who is technologically-minded, and even those who are not, if you want to lend your hand to a good cause, you should check out CrisisCamp Haiti in LA tomorrow at USC. CrisisCamps are hosted in a barcamp style where great minds come together to share their knowledge and expertise for social good.
This Saturday, the USC Annenberg School will be hosting CrisisCampHaiti Los Angeles to bring together volunteers to collaborate on technology projects which aim to assist in Haiti’s relief efforts by providing data, information, maps and technical assistance to NGOs, relief agencies and the public. Chad Catacchio will be leading up a team.
Project Proposals for CrisisCamp Haiti
1. Base layer map for Port Au Prince: This project would create a new collection of imagery and a new base map for NGOs and relief agencies. Post available imagery to share with the public for open source applications.
2. Family locator systems: Uniting efforts of interested technologists, developers and communications experts to provide technical assistance.
3. Tech Volunteer Skill Matrix/Volunteers: Create a role of volunteer as well as
4. Managing News Aggregator: Provide content channel management to coordinate data feeds
5. Defining the Collective: Create what we are and why we are doing this. Coordinate and post historical timeline/archive for the CrisisCamp efforts.
This will also been happening in London, Washington D.C., Denver, and Northern California.
The Bruins of UCLA and the Trojans of USC will be competing on the football field tomorrow night. The Los Angeles Universities have a long-standing rivalry that is important to a lot of the city’s residents. Personally, I’m not really interested in the sport or who wins. Maybe I should be since the company I work for is highly affiliated with USC. In spite of not being a fan, I somehow ended up at The Trojans’ big pep rally, called Conquest, last weekend. (I was solely there to see the closing band, OK Go).
The event, held on the USC campus, was a big deal complete with a ferris wheel, food trucks, Jamie Kennedy introducing a variety of the school’s sports teams and coaches, and a very impressive fireworks display. Most of the “Yay Team!” (or “Fight On!” as they say at USC) stuff was lost on me, but I did thoroughly enjoy The Trojan Marching Band, otherwise known as The Spirit of Troy. They are excellent and their rendition of Fleetwood Mac’s “Tusk” was a huge treat.
It appeared that the highlight of the night for the students and alumni was the burning of Joe Bruin, UCLA’s mascot bear. There were chants of “Burn, Joe, burn!” It can only make me wonder what they light on fire at UCLA. Hopefully, it’s not what we all think of when we hear USC’s mascot because the smell of burning rubber is rather unpleasant.
There have been shenanigans this week with UCLA’s Bruin statue getting painted with Trojan cardinal and gold. So much for sportsmanship.
Are you into the big game and if so, who are you rooting for? I really hope your team wins.
In Downtown Los Angeles for the remainder of this week, at the Standard, the rest of Postopolis! will be going down–an event I probably heard about six weeks ago & promptly forgot or overlooked–criminally so. This event is hella more interesting than this short descriptive quote would seem to infer: “A live 5-day blogathon of back-to-back discussions, interviews, panel talks, slideshows, films and parties with scheduled and unscheduled guests, themed around landscape and the built environment.” Baroo?
Let me explain. Last night I missed Fritz Haeg, whose Edible Estates replaces front yards–the classic American symbol–with fruit & veggie gardens (and who’s now transferring that idea into the animal realm with Animal Estates–very cool). Dwayne Oyler of OylerWu stopped by–they’re responsible for “Density Fields” at Materials & Applications in Silver Lake (pictured). I also missed Michael Dear, a professor of geography at USC, whose research delves into urbanism in LA, its proximity to Mexico, and homelessness in the city.
USC’s Interactive Media division sounds fascinating, and I’m sure that this weekend’s exhibit of graduate thesis projects will be as well. As the school describes it, “these eleven unique projects are an eclectic mix of new explorations in interactive media featuring a very wide range of play scenarios and themes. These projects promise to move you, entertain you and make you think.” There are a few that sound especially interesting to me, like Mike Brazil’s “RagnaRøkk:”
RagnaRøkk is an experiment in trying multiple ways of combining music and traditional gameplay. The player uses a Guitar Hero controller to navigate through the gamespace, fight enemies, cast spells, and solve puzzles. Throughout the game, the actions of the player have musical repercussions, serving to pull the player deeper into the experience.
And my friend Marc Tuters’s “S(t)imulation:”
S(t)imulation is the practice component of a thesis that explores philosophies of consciousness within the electronic arts. A site specific installation, the piece centers around a 12-foot mural painted in a surrealist/cubist style. Based on the realtime input of the viewers contemplation, a scale image of the mural is processed and projected back onto the painting’s surface, augmenting it with light to reveal its multiple dimensions.
The exhibition also features projects from Paul Bellezza, Jorge Mora Fernandez, Scott Gillies, Matt Korba, Anthony Ko, Victoria Moran, Garrett Rodrigue, Mike Stein and Jesse Vigil.