Seriously, if you don’t have plans tonight already, this is an epic evening for LA, cinematically speaking. One of the best things about our city is that you can pretty much catch anything on the big screen, and today is testimony to that.
First, it’s the kick off night for the Egyptian’s 13th annual Noir City festival. As in the past, most of the stuff in the series isn’t available on DVD. There are 13 double features running tonight through 20 April. Tonight’s double bill, new prints of High Wall and Strangers in the Night, focuses on WWII vets who return home to a world plenty sinister and dangerous in its own right. It’s a lot easier to figure out who the enemy is when he’s wearing a scary uniform, you know? Continue reading Watch a Movie Tonight, LA→
If you’ve been anywhere near the internet this week, you’ve probably seen the new, innovative video from local band OK Go. The group is well-known for its viral one-take creations, most notably “The Treadmill Video,” in which the guys did a fairly complicated routine on four treadmills for their song “Here It Goes Again.”
To promote their third studio album Of The Blue Colour Of The Sky, which is a fantastic, Prince-inspired record, OK Go has pushed the DIY music video to a new level. Teaming up with L.A.-based creative powerhouse, Synn Labs, the band’s ambitious concept involving a massive Rube Goldberg machine was brought to life.
The engineers were tasked with creating the device with the requirements “that it had to be interesting, not “overbuilt” or too technology-heavy, and easy to follow. The machine also had to be built on a shoestring budget, synchronize with beats and lyrics in the music and end on time over a 3.5 minute song, play a part of the song, and be filmed in one shot. To make things more challenging still, the space chosen was divided into two floors and the machine would use both.” The geniuses of Synn Labs spent a few months in a warehouse in Echo Park creating a physical manifestation of the band’s vision.
LACMAs Latin Sounds music series is winding down, with next week being the last concert of the season. This past Saturday, we were engaged by the wonderfully sad vocals of Esther Segovia. She sang tangos and waltzes popular in Argentina. The perfect music for a lazy Saturday afternoon in Los Angeles. Angelenos of all colors and ages danced to some of the most famous tangoes in the warm setting sun.
If you still haven’t made it to LACMA for the Latin Sounds series, you must pack up a picnic and plan to spend next Saturday on the lawn listening to Johnny Polanco y Su Conjunto Amistad.
So I (over)heard a conversation recently between some relatively high-powered ad-type people, and the topic was LA’s museums. And how they were suffering from record-low attendance. The situation was so dire, in fact, that these ad-type people were working with a cultural organization of some sort (I have no idea which one) to possibly create a giant ad campaign that would raise awareness about LA’s museums, and that would drive people back through the gallery doors.
Of course, this is all hearsay, and prudence requires I not go into detail about the idea or the campaign, but it did make me stop and think–why don’t (most) people go to museums any more? What could get people back in the door?
My first suggestion is to drop membership fees. I mean, I used to work at LACMA and even with my disturbingly detailed awareness of that institution’s holdings and the importance of its collections, I still don’t have a membership–let alone the Muse membership I wish I could afford, that would grant me access to all the museum’s coolest events.
Clearly LACMA’s hungry for members: just take a gander at all the carrots they’ve added in to this membership pitch I recently found in my inbox (click to embiggen). But in this economic climate, it’s unrealistic to expect folks to drop a cool $90 for the basic membership–and an additional $50 for Muse. Muse events, like their costume ball, Young Directors’ Night, Muse ’til Midnight and more–are designed to appeal to a younger, hipper crowd and innoculate the museum against the attrition caused by the rapid graying of its members; (click thru to continue)