Time is limited and the citizens in Pasadena aligned against the counties plan to rape, scrape and gut the Hahahmonga watershed need your help. All efforts to bring reason and preserve the area have fallen on deaf ears.
Last night on the anniversary of the Northridge Earthquake, I watched CalTech Seismologist Lucy Jones tell reporters assembled at a press conference that for most angelenos it was a small one. Ha! How I wish I had been one of most angelenos. But I wasn’t. Not by a long shot.
There were two times in my life when I thought my ticket had been punched: that morning 21 years ago holding onto a door jam for dear life while it seemed the world was shaking apart, and a traffic collision I had six months later — which ironically wouldn’t have occurred if it weren’t for quake-related repairs forcing me to relocate temporarily to Van Nuys where I was on my motorcycle when that collision happened… but that’s another story.
In fairness, Jones wasn’t belittling or minimalizing what took place. She was basing that statement on the length of the fault that generated that temblor — 10 miles — in comparison to the San Andreas fault, 200 miles or more of which could rupture — correction WILL rupture. When that event happens it won’t be discussed 21 years later from a perspective of relative percentages impacted. Those of us that survive that eventual catastrophe will ALL be thrust into an exquisite chaos.
The plain truth is that with this certainty, most of us are still woefully unprepared. Maybe we’re gambling that we’ll dodge such a cataclysm in our lifetime, or maybe were deluded into thinking there’s really nothing that can be done and to just roll with what comes when the land rocks. It’s probably a lame metaphor, but that’s a bit like not being able to stop from hopping into a taxi that we know is going to crash, yet refusing to fasten our seatbelt on our way to that potential doom.
Instead put the “do” in doom. Google “earthquake preparedness.” Here, I’ll do it for you: earthquake preparedness. You don’t have to go full doomsday survivalist, but you need to do something/anything. Stockpile supplies and develop a plan that will make the ensuing nightmare a little less nightmarish. Having something as trivial as a few gallons of water, some nutrition bars, spare batteries, flashlights, a transistor radio and first aid supplies will seem like gold when the time comes to need them.
The good folks at Esotouric Bus Tour Adventures, Kim Cooper and Richard Schave do a lot more than give really nifty tours of the city. They are historians with a major heart on for the city. In the best way of course.
This weeks newsletter outlined the winners and losers in their efforts to help preserve the cities architectural history. It outlines 25 things this year, good bad and ugly, that happened in terms of historic preservation.
The most exciting bit was the passing of city ordinance 13-1104 requiring public notification when any building more than 45 years is to be demolished. Why does this matter? It will give preservation groups around the city the chance to speak up and stop the destruction of those building with a history or architectural significane from being trashed in the name of progress and a new high density mixed use project. Not all buildings need to be preserved that are that old, but many should as it is part of the texture and character of the city that shouldn’t be trashed for a new parking lot or apartment jungle.
Pic by me of the Broadway Arcade while on an iphone safari. Click to embiggen
I know, its silly. Ring in the New Year at midnight, but in my little corner of L.A it isn’t New Years Day until 8:02AM when the B2 bomber banks over my house for its second swipe at the Rose Parade. Pretty nifty stuff.
More pics by me in my flickr set just in case our trusty old server doesn’t want to take my upload.
By now most of you should know that I’m a complete and utter fool when it comes to Raymond Chandlers works. I’ve read so many of the books and loved how they incorporated Los Angeles history and places into their fictional story.
I caught wind of the operetta a few months ago at a LAVA meeting. Its titled “The Princess and the Pedlar” and is co-authored with pianist Julian Pascal. Sounds pretty cool and should be easy to bring to the stage, right? Not so fast, the estate of Raymond Chandler say its insignificant and won’t grant release of the work. It will have to wait until 2029 at the earliest when its released to the public domain. Sad.
But all is not lost, Kim Cooper of Esotouric and author of the “The Kept Girl” isn’t taking that hard no as a final answer. She has a petition on change.org asking the Estate to reconsider its position. Please sign. I have, its an important bit of the Los Angeles story by one of our own authors that deserves to be seen.
This is one of my most favorite series that we do. It outlines our diversity as a group and underscores our love of Los Angeles and the millions of souls that call it home. During the course of the last several days you’ve read about the following non-profits and charities that we devote our time and energy too. In the order they appeared:
By now those who know me know I don’t just jump in half assed when I decide to support a non-profit. They have to have a hook that gets my attention. Sierra Madre Playhouse is just that and they need help…volunteers and donations if they are to grow to the next level.
In the last few years with the arrival of Managing Director and Estelle Campbell and Artistic Director Christian Lebano, they have brought a vision to change this once sleepy community theater into something else. Its a very special place well on its way to being the regional destination theater they have envisioned.
There has been a lot of dialogue lately about the state of theater in Los Angeles. It is so often overlooked and under-appreciated, and there are constant wails over how theater is dying. But the magic of that combustion, the ephemeral now, is what I think will keep theater alive. If you haven’t experienced that, I invite you to see a show at the Playhouse. Once you feel that magic you will be seduced.” – Christian Lebano, Artistic Director
Like so many non-profits they are starved of man hours and money to carry out their mission to bring quality plays written by Americans about Americans. This last year has seen them shake the joint up and brought in uniquely American plays like 6RMS RIV VU, 4,000 Miles and A Little House Christmas. On tap next is “A Walk in the Woods” which continues the trend of stellar productions. But they need helpif they are to carry out their plans. If you got a few hours to donate, they’ll take it. If you have some spare change to donate to the cause (Its tax deductible as they are a 503.c non-profit organization) they gladly accept that too.
You can easily pay via credit card through PayPal. An even more painless way is bring the attached PDF Coupon to Ralphs when you go grocery shopping and they donate a percentage of your sale to Sierra Madre Playhouse.
Sierra Madre Playhouse, 87 W Sierra Madre Blvd, Sierra Madre CA 91024
Live theater in Los Angeles is a tough gig. Anteaus in Noho is no different than the rest, to bring quality theater to the community they need help. Volunteers and tax deductible cash donations are welcomed.
Its that time of year again. A few of us will get tanked and get behind the wheel, a few will get caught, a few will pile up their car and maim themselves or others. LAPD, L.A Sheriff, CHP and local police agencies get huge grants to fight DUI and hopefully stave off the worst of the consequences of drunk drivers.
Here are two alerts by LA Sheriff on the for this coming weekend addressing the DUI/CDL Checkpoints for this weekend in Norwalk and Paramount.
I suppose we can thank the ACLU, but in CA when the DUI Enforcement zones are announced and road blocks are going to be included in the program they have to announce date and time. Nixle is a great way to make sure you get alerts of when these DUI check points are going to in place and what times. Make sure your designated driver has been a tea totaller and you’ll be fine.
Yup, its a big deal for your first venture. A Sunny Christmas is based on the art of Joseph R Davis and animated by him and Brian Gerson. They were invited to submit this to the 5th Annual ACRS Film Fest, they did and its been accepted. Nice to see new talent here in L.A get recognition beyond our borders.
Breaking a decades long tradition and following Creative Director Christian Lebano vision of bringing American plays by American authors, A Little House Christmas opened to applause last night in Sierra Madre.
A little backstory about the play. We all know Laura Ingalls Wilder and her stores of growing up in the 1800;s in the big woods or out on the Prarie, It was even a TV show for many years which is how many of us learned of the books. The play is based on the book and was adapted to stage by James DeVita. The Little House Heritage House allows little deviation and creative license, That didn’t stop Directro Emily Chase from working with music curator Lindsey Stand-Polyak and music director Rebecca Lord from getting permission from the trust to incorporate period apporpriate music into the play. It works. It works really well. The songs, many of them “new” to this century are a marvelous addition to this simple themed play and adds real depth to the story. I loved it.
The play takes places in the 1870s on the prairie and spans the course of 1 week with a wicked storm that wreaks havoc on the Ingalls family Christmas. I won’t give any spoilers on how Christmas was saved, you need to watch the play to see the execution of the play and the heart warming ending. Suffice it to say, kindness to others previously brought about the happy ending for the Ingalls family.
The Ingalls family as portrayed by Hanna Victoria Stock, Valerie Lohman, Pamela Daly and Eric Charles Jorgensen doesn’t deviate from the books or TV Show. Added bonus to this is that “Pa Ingalls” in real life can play the fiddle and whips it out at appropriate times in the story to add some real life to this simple story line. Continue reading “A Little House Christmas opens at Sierra Madre Playhouse”
I have to tell you the cacophony of the Auto Show during press days is very different than that of public days. Its not thousands of people meandering about, but a herd mentality of media types running from one press conference and reveal to the next. Its usually a couple in a row in one hall where you shuffle a few feet at time vying for the best seat to hear/see and be the first on stage for photos when its over. Its 15 minutes of manufacture hype with 5 minutes of photo op, then 5 minutes to get to the next show. Insanity.
Also different is that the manufacturers have stuff that is available for press days only. The reps I talked with didn’t think the live demo of the iRoad in this video would take place for public days…so thats my lede. Continue reading “L.A. Auto Show…press days round up”
What is L.A. Auto Show press days without a manufacturer party or two? My absolute favorite is the Hyundai party. Again this year at the Hotel Figueroa a few blocks from the show itself.
Joan Jett and the Blackhearts. Yes, they were our live entertainment. Nearly shat myself when they were announced to be our entertainment for the evening. Tons of fun, she hasn’t lost her edge. Totally fun night.
Day 1 of L.A. Auto Show Press Days did not disappoint
Of all the truly amazing things at this years L.A. Auto Show this one stopped me in my tracks and I thought wtf. Prolly the best use of a minican ever. If you want to see what Toyota is really capable of check out their FT1 concept. Vette…they have your number and are gonna kick you square in the crotch.
The Sierra Madre Playhouse is breaking tradition and bringing in a new play for the Holidays. “A Little House Christmas” premieres on Friday November 28, 2014 and I don’t want the play to get lost in the holiday busy shuffle. Carve out some time and bring the fam to what promises to be another marvelous production by the Sierra Madre Playhouse.
The play as you might guess is based on the “Little House” books done by American author Laura Ingalls Wilder. The book has been adapted for theatre by James DeVita.
The Sierra Madre Playhouse presentation of A Little House Christmas is directed by Emily Chase. Her cast includes (in alphabetical order) Jolie Adamson, Pamela Daly, Jeff Doba, Jim Harnagel, Eric Charles Jorgensen, Fletcher Kamal, Valerie Rose Lohman, Andrew Stock, Hannah Victoria Stock and Amy Tolsky. UCLA musicologist Lyndsey Strand-Polyak is the production’s consultant on music of the ear, which will include vibrant fiddle and guitar playing as well as lively dance.