Oh no: not that Tara. I’m talking about the famed fictional plantation manse from a little film back in the day whose name coincidentally rhymes with the last name of the film’s central character — O’Hara, as in Scarlett. As in “Gone With The Wind,” or GWTW, if you will.
Yeah, that Tara.
Let me back up. I ravenously follow the Photos of Los Angeles group on Facebook, gobbling up its never-ending parade of pictures of L.A.’s distant and not-so-distant past. A few days ago this photo (at right, click to enlargify), was posted of a still from an episode of the 1950s TV series “Superman,” showing its star, George Reeves (who coincidentally had a part in GWTW) in full Clark Kent mode, on a hill back-dropped by a broad swath of our smog-inundated city. The poster, Sally Deupree, asked, “Culver City. Recognize the building in the lower left with four columns?”
I immediately recognized it as Tara — more specifically the exterior facade built for the movie, which meant Reeves was standing hat in hand on what is now a section of the Baldwin Hills Scenic Overlook State Park — which meant beyond him was Jefferson Boulevard, then the Ballona Creek channel and then the old Pathe Studio backlot, where so many of the exterior scenes of GWTW were realized.
In an attempt to get a past/present frame of reference (I last did that with the location of Wrigley Field’s homeplate in South Los Angeles), I went on a googlehunt for a layout of the old studio, and hit gold at the 40 Acres website with this 1940 map (click to enlargify) pinpointing the various GWTW sets on the Pathe Studio backlot, with Tara’s position indicated there on the left.
Then, of course, for a present-day juxtaposition I google-mapped the location (click to enlargify):
Which means basically that at the deadend of Hayden Place south of Higuera Street, somewhere around the current location of Woo Agency and Omelet you can stand on the paved-over land upon which Tara once stood, not to forget Vivien Leigh, Clark Gable, and, yes, George Reeves. Cue the sweeping overture that is “Tara’s Theme”: