I’m guilty of more than a few. You? I particularly like the dig about moving to the West Side…a place I barely know as there is simply no easy way to get there from where I live and there is never any parking. There, I said it.
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I just learned that on the ninth day into the fourth month of his thirty-ninth year as a pressman at the Los Angeles Times, Ed Padgett was fired. Fired as a result of some sort of clandestine investigation conducted by human resources for reasons he’s not at liberty to divulge at this point. Fired over the fucking phone.
I was unsuccessful in an attempt to leave a comment of support or of use on his blog. I was swinging too severely between outrage and sadness. Still am. So I came here. To tell you a little something about Ed — which isn’t much, but it’s better than me cursing or crying.
Probably about five or six or so years ago we first met online here at Blogging.la. In January 2007 I posted an open invite for any and all fellow lunatics to join me in making good on a long-time resolution to walk the entire 24-mile length of Sunset Boulevard from Union Station to the sea. Ed commented that he was interested but had other plans. When the fateful day came in February I was joined by another B.la reader Don Hosek and USC grad student Lisl Walsh and off we went.
After the jump, Ed magically appears around Mile No. 23.
Rex Bruce’s exhibit “Moving Violations” opens for a 2 month run at the Los Angeles Center for Digital Art on October 13. The opening reception will be that day held in conjunction with the Downtown LA Art Walk.
Moving Violations is a capture of life in LA through the windows of a moving car. It is really a commentary on the destruction of the city and its environment done by the cars that we pretty much live in getting from place to place. The exhibit is still images and video aimed at a sensory overload with a political message. The full artists bio and description of the show can be found HERE. In the artists words:
The work is pretty self explanatory—toxic SoCal overkill and maximum carbon emission, but it is informed by a particular vision of my era that has coalesced in my mind.
Deets:October 13-December 3, Reception Thursday October 13, 7-9pm, 102 W 5th Street, Los Angeles CA 90013 MAP HERE.
I know it’s a print-is-dead digital world in which what’s new is old already, but if there’s something that still demonstrates the power and worth of newspapers, it’s the jaw-drop that happens when you unexpectedly find yourself holding almost half-century-old history in your hands, which in this case came when I moved some boxes out of my mom’s place and into our basement today. One such box in particular was my stepdad’s — something of a collector — and right on top of an amazing stack of Life and Look and Saturday Evening Post magazines from the 1920s through the ’70s were these two local publications, the first editions to hit the street after the assassination (click them for the bigger pictures):
You can bet I’ll be going carefully through these pages gape-mouthed on a slow analog ride in the wayback machine.
Time is running out fast but here’s the deets. If you are a male 25-45 (that’s what they are looking for in particular but will consider anyone) and want to play the role of paparazzi in a Weird Al video you need to get moving. All you need to do is send them a picture of yourself holding a “professional looking camera” (my guess a DSLR). Send that pic to [email protected] along with your contact info. They have no deadline, but say that the earlier you get it to them the better as they are shooting on May 15 for release in June. Weird Al’s blog has all the details HERE.
Now I wish I had a pic of me with my DSLR as this would be a fun adventure to add to my bucket list of things done.
Pic by computer_saskboy on flickr and used under a creative commons license. Link to him HERE..
Congratulations are in order for outgoing Curbed Los Angeles editor Dakota Smith.
Dakota took over the LA edition of the popular real estate and development blog when it was barely in the terrible 2’s. After a 4-year run, she heads to the Valley to report for the Daily News.
We look forward to reading her take on the always amusing 818. Maybe she can help us get the trains rolling.
Most of you probably saw, or at least heard about this happening last night on our local CBS 2 News:
……..yeah. Funny right? Maybe not. Turns out she was taken to the hospital to rule out the possibility of a stroke. Inability to speak can often be the first sign. I REALLY hope this isn’t the case. I went to school with her and I seem to remember her being very nice. Hopefully it was just a quick flub. Cause if she’s OK, then we can laugh.
To say that Los Angeles is car crazy omits half the story: sometimes it’s not the cars, but what the drivers put on their cars, that is of interest. Case in point: spotted while parked on the West Side yesterday, this otherwise nondescript Honda Fit pretty much covered the cultural spectrum with its stickers. When you’ve devoted equal automotive real estate to Fellini, Pablo Neruda, Oscar Wilde, Phil Jackson, Severus Snape, and the Lakers, you’re probably an L.A. area driver.
A producer friend of a friend once described his pre-Oscar ritual as something akin to a runner prepping for a marathon: “Eat. Because you’re not going to until hours and hours later.” That he has to go hungry during the 3+ hours of The Emmys or The Oscars is the worst thing about the gala for him (for people who actually are in it to win it, the worst thing probably is not being nominated or losing what may be your only chance to claim the “O” in “EGOT“). Anyway, the reason why, say, The Golden Globes and The Screen Actors’ Guild Awards are better in his book is in part because you get to eat. Eating is, after all, the panacea for all the ups and downs during any awards ceremony, whether it be The SAG Awards at The Shrine or your kid’s end-of-the-year award ceremony at The Overcrowded Multipurpose Room. Anxious? Snack, nervously. Weren’t nominated? Chomp, vengefully. Didn’t win? Nosh, sadly. Did win? Feast, gluttonously. Bored? Eat, mindfully.
Now, say you’re the chef who has to cater said eating awards event. What do you do? Suzanne Goin, chef and owner of Lucques, AOC, and Tavern, is doing the cooking for the Screen Actors’ Guild Awards this Sunday. She and her entourage at Lucques Catering will serve some 1,250 people who are hungry/nervous/overconfident/not confident enough given the caliber of their work/there for the swag. To ease the emotional roller-coaster, she will plate a lovely quartet of palate-pleasers that reflect local, seasonal cooking.
Clockwise from the top left: beluga lentils with carrots, pine nuts, and feta; slow-roasted salmon with ginger-mint chutney; slow-roasted lamb with chickpeas and feta salsa verde; a beautiful salad with blood oranges, dates, arugula, and parmesan; and a baked herbed crostini with parmesan and chopped thyme and parsley to bring it all together. When each part is consumed, and why – well, to each his or her own.
And, because if you’re anything like me and sometimes like seeing how they made, say, Toy Story 3, almost as much as you like seeing the finished product, a couple of photos of the kitchen at Lucques:
For those of you not part of the SAG action on Sunday night, Lucques and AOC are both participating in DineLA. Lucques is offering a three-course lunch menu for $28, and a three-course dinner menu for $44. AOC is offering a three-course dinner menu for $44. Given the caliber of the food at both restaurants – really, unlike other high-end restaurants, I can’t recall ever having a meal at either Lucques or AOC that I regretted – the prix fixe menus are a great deal. Go on, snack, chomp, nosh, feast, eat. Your emotions will thank you later.
The Hammer Museum is celebrating its 20th anniversary with 20 days of free admission. The celebration began on Black Friday and continues through December 18, which is more than 20 days, but hey, why look a gift horse in the mouth? Admission is usually $7 for adults. I hope to hit the Hammer and help celebrate this milestone during the next couple of weeks.
My best friend lives in Vancouver BC, but he grew up in San Pedro. Expatriate though he may be, he’s still lived the bulk of his life in California, thus far. And while he’s now, as a Canadian Citizen, largely removed from the noise of California politics, it can still pique his interest when he comes to visit.
Back in July, he was here for Comic Con (something rarely missed) and, of course, Meg Whitman’s ads were running constantly on every available media outlet, short of Big Gulp cups and Happy Meals.
“Who’s this ‘Meg Whitman?'” he asks me.
“Used to run eBay. Dumping a crap ton of her own money into the race. Record amount, in fact.”
“Who’s running against her?”
The look of disbelief that crossed his face will haunt my soul.
“Does anyone really need anymore proof that the Democrats are in collusion with the Republicans?”
Mike’s a cynical bastard.
Look, you can take any politician, ANY, and create a laundry list of their lies and deceit; they’re politicians. They are liars. All of them. Your favorite candidate, in whatever race that was? Yep, them. Big, fat liars. Pants ablaze. The Great Statesmen and Orators of History? Fibbers, every last one. So, I will not even to attempt to recount a play by play of campaign inaccuracies and skullduggery here. Putting a politician on the “Naughty” list for lying or running a rough campaign is like blaming a spider for having too many legs. It may creep you out, but that’s just the way the damn thing is built.
So, why bother? Well, I’ll tell yeh, and frankly, I kinda find it funny:
Bitch tried to buy us off.
Seriously. Slice it up any way you wish, it was a blatant attempt to run an unstoppable money-fueled juggernaut of a campaign, which collapsed under its own hubris.
I’m not even going to take up the tract of, “She should have just poured all that money into our failing education system,” or whatever. Would that have been great? Oh, hell yeah! I would love to see a politician actually do that, or similar, on that scale. I ain’t gonna ride her for not deciding to do something so grand.
No, what gets you the coal in your stocking this year, Meg, as far as I’m concerned, is the hubris. The unmitigated gall. You thought you had us, that you could just buy us. That that’s all it would take. We heard it in your voice. Well, take your lump and heat your stove, let that keep you warm, we’re gonna let Jerry do his thing. At least he didn’t try to buy us out.
The part that tickles me, really, is that it did happen here. Like it or not, the stereotype of a typical “Californian” tends to be either the dimwitted surfer or the shallow “Movie Star.” This tends to piss me off, but that’s really how much of the country sees us. And yet, the State known to be all flash and no substance passed on Meg’s Millions. Whatever else Jerry Brown may or may not be, “Flashy” he’s not.
I suppose those who insist upon State drawn stereotypes will shrug us off as “Hippies” now. Funny how such a bunch of Hippies have elected so many Republicans in the past. Whatever, I’ll take Granola over Vapid any day.
I can’t wait to find out what my friend in The Great White North thinks about all of this when I go to visit him over Christmas. Should be interesting.
Summer may have ended a couple of days ago, but we never really got one, and it looks like our real summer may be ahead of us. If you are heading to the beaches west of Los Angeles this weekend, you’re in luck. First, you should check out the Summer of Color public art project. Billed as the largest public art project in the U.S., Summer of Color involves thousands of children and adults from local schools, hospitals, and social services programs, many of whom have physical and other challenges, who painted the lifeguard towers along the beach from Zuma to San Pedro. Each tower is different, but many of the designs incorporated flowers and geometric shapes for symbolic reasons (see the above link for more info). These towers were painted some time ago, but if you’re like me, you may not have checked them out up close. I did so recently in Marina del Rey, and was rewarded with the glorious sights pictured above (at Mother’s Beach in the Marina Harbor) and below.
Glow is the only all-night art event in the United States that emphasizes the commissioning of original artwork. Glow projects invite active audience engagement and exploration and constantly surprise in their unexpected placement in spaces and times not normally reserved for fine art.
I covered the first Glow event in 2008, and found some first-time shortcomings. This year, however, a friend of mine is working there, and I’m looking forward to seeing the new and hopefully improved version.
On Sunday, a few blocks from the beach, the 26th annual Abbott Kinney Festival will take place along Abbott Kinney Blvd. in Venice, from 10 a.m. to 6 p.m. The festival features live music, gourmet food trucks, handcrafted items for sale, beer gardens, valet stations for those arriving by bicycle, and much more. The festival is lots of fun, provided you do not mind very tightly packed crowds.
I’m looking forward to having a really fun summer this fall!