Tip of the hat to my friend Darlene Powells over at KCBS for finding and sharing this video from artist Vadim Tereshchenko. It took over 2 years of a few frames at a time to produce the final product. What a truly beautiful city we are.
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Hat tip to my facebookie friend Will Campbell for this righteous find. Los Angeles, the good the bad the ugly and the truly magnificent in a drone’s eye view. How cool is this. And if you have ample bandwidth you can watch without buffering full screen.
This is going to be a fun event. Terrific even. Its about creating art, some adult refreshements (booze) and hors d’oeuvres to nourish your body and loosen up the creative spirit you bottle up daily while chained to your cube. Its about learning to express yourself in a media other than words.
The teacher this round is Elizabeth Jewell Butterfield, the featured artist at Monrovia Association of Fine Art’s annual Celebrate the Arts held in September. Elizabeth is an amazing mixed media artist. She takes bits of material, paper, what have you, tears in itty bitty bits and applies it to a canvas where it suddenly becomes a beautiful painting. She will teach you do the same in the First class held on May 30
The last time this was done at the Paint n Play Art Studio and Gallery in Monrovia it sold out fast. The teacher made the class exceptionally fun and everyone walked away with a piece of art to hang in their cube to remind themselves they can do it. I can’t stress enough…sign up early and don’t miss this fun event.
Deets” May 30, June 20, and July 18. Paint n Play Art Studio and Gallery, 418 S Myrtle Avenue, Monrovia CA 91016 626/256-4848 to reserve a spot.
I can’t begin to tell you the fun I have at Press Days for the L.A. Auto Show. Yes, its a lot of work but a lot of fun is interspersed during it too. You get to meet some really interesting people from all over the world, both media and manufacturer types. The reveals are 20 minutes long and 5 minutes apart. You have two choices…hustle to each or pick and chose the ones you want to stake out and really see. I always take the latter approach and have time to photo the exhibits with minimal people in the way.
Most of the manufacturers have some sort of refreshment set up. Audi and Porsche each set up pop-up restaurants with free wifi. Jaguar did a nice cafe this year too. However, hands down my favorite was the food trucks AND beer truck at the Nissan stand. Yes. A beer truck dispensing ice cold beer, ipa and ale from Stone Brewing. I had a nice cold glass of Arrogant Bastard thank you very much.
There are tons of other things going on during Press Days as well. There are receptions and happy hours. Notable ones were for the Design LA and Aftermarket Halls at the show. There is also the opportunity to get in and drive cars, mostly green cars on the last day (Thursday). Read the rest of this entry →
So some 18 million of us in the greater L.A. area can’t be wrong about the famed In-n-Out burger. Food and Wine just named it one of the best burgers in the country. The only “chain” to make the list.
For my daughter and Son-in-law no trip “home” is complete without a trip to In-n-Out. There is much discussion on which version we prefer, I’m a purest and go for the regular cheese burger as does my daughter, the SIL likes it animal style. What’s your preference?
Don’t even argue with me: Sergio Leone‘s Once Upon a Time in the West is the best film ever made. Leone got together with fellow Italian filmmakers Bernardo Bertolucci and Dario Argento, studied some of the greatest Westerns (High Noon, The Searchers, etc.), including their locations and iconic shots, and came up with a film that is simultaneously a parody of and loving homage to the Western genre. You’ll see things that are subconsciously familiar, like dusters and Monument Valley, and things that are deliciously unfamiliar, like Henry Fonda as one of the meanest villains ever to grace the screen.
And hopefully you’ll see it all this Saturday, August 4 at 7:30 p.m. at the Aero Theater in Santa Monica, as part of the American Cinematheque film series. Of course, that part about Once Upon a Time being the greatest film ever made is subjective, but don’t seriously call yourself a movie lover or film buff until you’ve seen this classic.
Ever since I saw this plumbing truck with its slogan “The Smell Good Plumber!” driving in the Culver City area, I’ve wanted to snap a photo of it. Finally, I had my chance the other day as I ended up behind the truck while we were stopped at a red a light. I guess that’s the plumbing equivalent of camping out for a new iPhone, and thus I call it good marketing!
One of my pleasures of living in the relatively dry SoCal climate is our thriving classic car culture. Part of that culture will be on display this Saturday, as downtown Culver City hosts its “Crusing Back to the 50s“ car show right out on Culver and Washington Blvds. from 9 a.m. until 3 p.m. I was there four years ago, and it was loads of fun.
In addition to a selection of over 400 classic cars, expect to see some of the world’s most famous tv show custom cars and their creator, George Barris (Batmobile, Munster Koach, etc.). There will be food, music, and car-related merchandise on hand as well. Oh, and did I mention that admission to the show is free?
Superheroes, nasty villains, and zombies will visit us as the Hero Complex Film Festival returns to Los Angeles on May 18-21, at the Regal Cinemas at L.A. Live. Cinema classics will be screened with stars and creators of the movies, such as RoboCop with an appearance by Peter Weller, Shaun of the Dead featuring director Edgar Wright, and A Clockwork Orange with Malcolm McDowell. On Monday, pioneer comic book creator Stan Lee (Spider-Man, X-Men, Fantastic Four, etc.) will be there for a not yet announced screening. Although the $105 festival pass is listed as sold out, individual screening passes can be had for $20, which isn’t much more than a movie ticket on a weekend night nowadays.
See link above for full schedule and details.
Staffwriter Hector Becerra spends all of the front page article in today’s Los Angeles Times and plenty more after the jump building the implication that the Dodgers were the primary reason for the Chavez Ravine disgrace, including this patently disingenuous paragraph:
“But the removal of more than 1,000 mostly Mexican-American families from Chavez Ravine to make way for the stadium is a dark note in LA’s history.”
What a surprisingly reprehensible and negligent generalization that is.
I was relieved when Becerra eventually explained that the public housing debacle by the city’s leadership years before Los Angeles was even a gleam in Walter O’Malley’s eye was the true catalyst for the evictions. And he finally contradicts his previous fallacy by mentioning there were only a few families remaining — not “more than 1,000” — in 1959.
But it is shameful and irresponsible that Becerra and his editors failed to reference those previous events higher up in the article and instead of qualification opted for false simplification in the form of an inaccurate chronological order to the dreadful sequence of events that destroyed the entire community, not just the handful of brave families who fought eviction to that bitter end.
I shall read any words appearing under Becerra’s byline now with a far more skeptical eye.
Update after the jump.
I’m guilty of more than a few. You? I particularly like the dig about moving to the West Side…a place I barely know as there is simply no easy way to get there from where I live and there is never any parking. There, I said it.
I just learned that on the ninth day into the fourth month of his thirty-ninth year as a pressman at the Los Angeles Times, Ed Padgett was fired. Fired as a result of some sort of clandestine investigation conducted by human resources for reasons he’s not at liberty to divulge at this point. Fired over the fucking phone.
I was unsuccessful in an attempt to leave a comment of support or of use on his blog. I was swinging too severely between outrage and sadness. Still am. So I came here. To tell you a little something about Ed — which isn’t much, but it’s better than me cursing or crying.
Probably about five or six or so years ago we first met online here at Blogging.la. In January 2007 I posted an open invite for any and all fellow lunatics to join me in making good on a long-time resolution to walk the entire 24-mile length of Sunset Boulevard from Union Station to the sea. Ed commented that he was interested but had other plans. When the fateful day came in February I was joined by another B.la reader Don Hosek and USC grad student Lisl Walsh and off we went.
After the jump, Ed magically appears around Mile No. 23.
Rex Bruce’s exhibit “Moving Violations” opens for a 2 month run at the Los Angeles Center for Digital Art on October 13. The opening reception will be that day held in conjunction with the Downtown LA Art Walk.
Moving Violations is a capture of life in LA through the windows of a moving car. It is really a commentary on the destruction of the city and its environment done by the cars that we pretty much live in getting from place to place. The exhibit is still images and video aimed at a sensory overload with a political message. The full artists bio and description of the show can be found HERE. In the artists words:
The work is pretty self explanatory—toxic SoCal overkill and maximum carbon emission, but it is informed by a particular vision of my era that has coalesced in my mind.
Deets:October 13-December 3, Reception Thursday October 13, 7-9pm, 102 W 5th Street, Los Angeles CA 90013 MAP HERE.