Knock Three Times On The Ceiling If You Want Me

Never mind that the manner in which the evil creature introduces itself brought to my mind a deliciously daaaaaaaaark reboot of Tony Orlando and Dawn’s 1970 hit, if your first reaction to hearing about the “The Babadook” is to dismiss it, I’d wholeheartedly recommend you reconsider this incredible indie flick, which proves filmmakers need not throw huge sums of money at the screen to generate genuine hair-raises.

It was a delightful horror treat; a perfect tension of psychological deterioration paired with an awesomely hell-raising and sinister spook who feeds off of the complex and increasingly strained relationship between mother Amelia (an incredible Essie Davis) and six-year-old son Samuel (a jaw-droppingly fantastic Noah Wiseman in his film debut). The twisted journey into madness is made all the more wonderful by the awesome talent of Jennifer Kent in her directorial debut.