LA Plays Itself in the Movies: Repo Man
7:00 am in Movies by Travis Koplow
This is an LA of space aliens, government conspiracies, stoned parents, evangelists, lobotomies, repo men, debt, “Dioretix: Science of Matter of Mind,” rebellious youth, armed robbery, and most significantly some would argue, punk rock. Repo Man is the story of Otto Maddox (Emelio Estevez), an 18 year-old punk whose parents spend all day smoking weed and sending money they don’t have to a televangelist who preaches, “I want your money, because God wants it. So go out and mortgage that home, and sell that car, and send me your money. You don’t need that car.” Otto gets a job as a repo man, where Bud (Harry Dean Stanton) schools him (“Ordinary fucking people, I hate ‘em.”) and the local crazy shaman bum Miller (Tracey Walter) philosophizes (“There’s like this lattice of coincidence laid on top of everything”). Meanwhile, Otto meets Leila who is being tailed by creepy blonde government agents because she knows too much about a lobotomized scientist and his trunk full of aliens. Ultimately, everyone in the movie is looking for the same thing. Love? Salvation? Nope. A ’64 Chevy Malibu.
And here’s how LA this movie is: According to IMDB, a couple of days into filming, the Chevy Malibu was stolen. They located a replacement, and then the police found the original stolen vehicle and returned it unharmed, which was lucky since one of the actors subsequently wrecked the replacement car. Now that’s LA, ladies and gentlemen.


“Riot on the Sunset Strip” is a masterwork of the teen exploitation genre. Released in 1967, the film was made within six weeks of the infamous curfew riots that took place on the Strip protesting the closure of Pandora’s Box, a club that was then a huge part of the music scene. The plot (and, as much as I love this movie, I will be the first to admit that there isn’t much of one) follows Andi (who was just seventeen, if you know what I mean) and her friends, who really, really just want to have a good time, but have to put up with flack from hapless authority figures, including a duo of local businessmen, who come off as a live action version of the Muppets’ Waldorf and Statler, and Andi’s estranged father, the head of the Hollywood division of the police department. The storyline plays pretty fast and loose with facts, giving a totally sensationalized representation of the Strip in its heyday as an unincorporated nightlife hub, full of crazy, drug-addled longhairs (that’s totally-square-1960s-grownup-speak for “teenagers”). Basically, it’s the Los Angeles of middle-America’s worst nightmares.





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