“Stamp Series” Premier at LA Art Walk Thurdsay 1/8/09

The Los Angeles Center for Digital Art is premiering artist Leslie Tucker’s “The Stamp Series” 1/8-1/31/09.  The opening reception will take place in conjunction with Thursdays Downtown LA Art walk.

I have to admit when I saw the opening images on my invitation I got a big grin and thought “this is absolutely brilliant”.  Reading more into it I have to admit this artist has some wit to her.   Documenting the change in pop culture by honoring the demise of white bread on a commemorative stamp.  Brilliant (at the risk of repeating myself).

Details: January 8-31, 2009 Reception: Thursday January 8, 7-9pm, Los Angeles Center For Digital Art, 107 West Fifth Street, Los Angeles, CA 90013

Image courtesy of LACDA and used with their permission.  For their full press release you need to make the jump.Press Release:

Leslie Tucker offers an ironic analysis of the American Dream put forth in a series of digitally collaged “stamps” that commemorate objects, places and historic moments in our culture that are iconic markers charting our socio/political development (for better or for worse). Her playfully sardonic wit emanating from the artworks is exemplified in statements such as “‘Toxic Carbs’ is my latest stamp work. I am gripped by the sense that processed white bread is eroding due to the encroachment of whole grains.”

The artist composes her pet peeves and the things associated with them like a playwright casts plays. To Tucker, ordinary objects become characters who get hired, or not, to act out her cultural vision. Her charge is to honor the ordinary and become its self-appointed steward. 

She canonizes and breathes life into all the well-deserving objects we shamefully snub. Their meanings take on a dualistic struggle on a grander scale. The incandescent lightbulb, central to the uplifting concept of illumination, is rightfully troubled by its looming ecological demise. The Coke bottle, central to such uplifting themes as being Real, being It, and Having a Smile; is paired with a contradictory value of its imperialistic hold on the sugar-addicted.

Plastics are in our homes to stay, and our oceans. “Hard To Swallow” captures the glistening dazzle of the multitude of Polyethylene Terephthalate water bottles found swimming in our oceans and basking on our shores. Obesity, honored in “Hide Your Children” and now America’s #1 export, will undoubtedly nourish our lagging GDP to new economic heights. “Compliance” commemorates our new, wonderfully responsive generation of children who actually obey their parents wishes and willingly fall into line.

Her largest and most elaborate work to date, “Extraordinary Mundane,” charts the genesis of the American Dream in exuberant detail. It is a combination circuit shematic and old-school board game that romps through McCarthy era history in all of its pop grandeur: its ultimate message (in the artist’s words) could be “maybe if we all stopped shopping for one nanosecond we’d at least have a fighting chance at being a whole lot happier.”